The Very Best Of Fleetwood Mac (2CD)
save up to 35% on The Very Best Of Fleetwood Mac (2CD)
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The Very Best Of Fleetwood Mac (2CD) $12.68 Spanning 22 years, this double-disc, 36-track compilation chronicles the initially unlikely and ultimately triumphant conflation of a failing, veteran English neo-blues band (Mick Fleetwood and the McVies) with a pair of mercurial American also-rans (the baroque folk-rock genius Lindsey Buckingham and crypto-songbird Stevie Nicks). The creative alchemy was immediate, as 15 epochal tracks (“Dreams,… |
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Fleetwood Mac: Greatest Hits $7.45 No Description Available.Genre: Popular MusicMedia Format: Compact DiskRating: Release Date: 22-NOV-1988… |
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Crystal Visions – The Very Best of Stevie Nicks $6.06 NICKS STEVIE CRYSTAL VISIONS: THE VERY BEST OF… |
The Very Best Of Fleetwood Mac (2CD)
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Very Best Of Fleetwood Mac, The $7.49 Very Best Of Fleetwood Mac, The |
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The Very Best Of Fleetwood Mac $9.99 The Very Best Of Fleetwood Mac |
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The Best Of Peter Green’s Fleetwood Mac $6.49 The Best Of Peter Green’s Fleetwood Mac |
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Very Best Of Fleetwood Mac (Enh) $19.99 Rhino Records:73775 |
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The Very Best Of/Live In Central Park [2CD + DVD] $14.99 The Very Best Of/Live In Central Park [2CD + DVD] |
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Very best of.. 1975-97 (Rem) $99 En uppdaterad, remastrad version av “Very Best” med Fleetwood Mac. |
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Fleetwood Mac’s Tusk $8.95 After Rumours became the best-selling single album of all-time, Fleetwood Mac asked Warner Brothers Records to buy them a studio (the label refused, costing both Warner Brothers and the band significant cash in the long run) and then handed the reins to their guitarist and resident perfectionist Lindsey Buckingham, a fusion of factors that led Tusk to become the first record in history to cross the million dollar threshold in production costs. Blame (or credit) Buckingham’s public perception as a punctilious performer and producer on this, the Mac’s critically acclaimed, commercially disappointing 1979 double album (it’s said that Warner Brothers executives could see their Christmas bonuses flying out the window upon finally hearing Tusk ’s first rough cuts). But the 1975 addition of Buckingham and Stevie Nicks undeniably transformed Fleetwood Mac from a barely viable blues-based group into a radio powerhouse. Rumours , the second LP by the Mac reconfiguration of Buckingham, one-time paramour Nicks, drummer Mick Fleetwood, bassist John McVie and his wife and keyboardist Christine, sold more than 20 million copies. But during its creation, relationships within the band broke down GÇö Buckingham split from Nicks, McVie from McVie GÇö leaving the follow-up Tusk as a bizarre and fractious assemblage held together only by Buckingham’s much-documented, Brian Wilson–like obsession. What remains is Fleetwood Mac’s Apocalypse Now , their White Album , the epic beginning of their ongoing end, a shotgun blast of musical spray. And, without question, the ballsiest venture in rock history. “You know,” Buckingham told me when we met last October, “we had this ridiculous success with Rumours . And at some point, at least in my perception, the success of that detached from the music, and it was more about the phenomenon. “We were poised to do another album, and I guess because the axiom ‘If it works, run it into the ground’ was prevalent then, we were probably poised to do Rumours II . I don’t know how you do that, but somehow my light bulb that went off was, ‘Let’s just not do that. Let’s very pointedly not do that.’ ” This, then, was Buckingham’s crossroads: to follow his heart (a.k.a. the sounds in his head) or his wallet, knowing that he would bring rock’s most commercially viable act along with him. His decision to take the road less traveled, a path he still walks, is the most telling moment in his long career. “ Tusk ,” he says, “is the most important thing, on some level, that I ever was involved with GÇö for the music, but also because it was a line I drew in the sand.” |
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Fleetwood Mac $6.49 Fleetwood Mac |
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