Modern Noise, Fluid Genres: Popular Music in Indonesia, 1997-2001 (New Perspectives in Se Asian Studies)



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Modern Noise, Fluid Genres: Popular Music in Indonesia, 1997-2001 (New Perspectives in Se Asian Studies)


Modern Noise, Fluid Genres: Popular Music in Indonesia, 1997-2001 (New Perspectives in Se Asian Studies)


$19.97


What happens to “local” sound when globalization exposes musicians and audiences to cultural influences from around the world? Jeremy Wallach explores this question as it plays out in the eclectic, evolving world of Indonesian music after the fall of the repressive Soeharto regime. Against the backdrop of Indonesia’s chaotic and momentous transition to democracy, Wallach takes us to re…


Modern Noise, Fluid Genres: Popular Music in Indonesia, 1997 2001 (New Perspectives in Se Asian Studies)

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Popular Culture in Indonesia: Fluid Identities in Post-Authoritarian Politics


Popular Culture in Indonesia: Fluid Identities in Post-Authoritarian Politics


$768.19


This book examines popular culture in Indonesia, the world’s most populous Muslim nation, and the third largest democracy. It provides a full account of the key trends since the collapse of the authoritarian Suharto regime (1998), a time of great change in Indonesian society more generally. It explains how one of the most significant results of the deepening industrialization in Southeast Asia since the 1980s has been the expansion of consumption and new forms of media, and that Indonesia is a prime example of this development. It goes on to show that although the Asian economic crisis in 1997 had immediate and negative impacts on incumbent governments, as well as the socioeconomic life for most people in the region, at the same time popular cultures have been dramatically reinvigorated as never before. It includes analysis of important themes, including political activism and citizenship, gender, class, age and ethnicity. Throughout, it shows how the multilayered and contradictory processes of identity formation in Indonesia are inextricably linked to popular culture. This is one of the first books on Indonesia’s media and popular culture in English. It is a significant addition to the literature on Asian popular culture, and will be of interest to anyone who is interested in new developments in media and popular culture in Indonesia and Asia.



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