Everything Is Cinema: The Working Life of Jean-Luc Godard Reviews



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Artistic Director Sandra Hebron introduces this year’s Festival at “Never Let Me Go”.

Everything Is Cinema: The Working Life of Jean Luc Godard Reviews

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Jean-Luc Godard Box Set - Vol. 1


Jean-Luc Godard Box Set – Vol. 1


$15.99


Jean-Luc Godard Box Set – Vol. 1

The Films of Jean-Luc Godard


The Films of Jean-Luc Godard


$40


Sterritt's work explains the importance of Godard's films in modernist and postmodernist art.

Jean-Luc Godard's Hail Mary


Jean-Luc Godard’s Hail Mary


$22.5


This book is in New – Excellent condition

Everything Is Cinema


Everything Is Cinema


$9.99


A landmark biography explores the crucial resonances among the life, work, and times of one of the most influential filmmakers of our age When Jean-Luc Godard wed the ideals of filmmaking to the realities of autobiography and current events, he changed the nature of cinema. Unlike any earlier films, Godard’s work shifts fluidly from fiction to documentary, from criticism to art. The man himself also projects shifting images–cultural hero, fierce loner, shrewd businessman. Hailed by filmmakers as a–if not the–key influence on cinema, Godard has entered the modern canon, a figure as mysterious as he is indispensable. In Everything Is Cinema , critic Richard Brody has amassed hundreds of interviews to demystify the elusive director and his work. Paying as much attention to Godard’s technical inventions as to the political forces of the postwar world, Brody traces an arc from the director’s early critical writing, through his popular success with Breathless, to the grand vision of his later years. He vividly depicts Godard’s wealthy conservative family, his fluid politics, and his tumultuous dealings with women and fellow New Wave filmmakers. Everything Is Cinema confirms Godard’s greatness and shows decisively that his films have left their mark on screens everywhere.

Speaking about Godard


Speaking about Godard


$70


Probably the most prominent living filmmaker, and one of the foremost directors of the postwar era, Jean Luc-Godard has received astonishingly little critical attention in the United States. With Speaking about Godard , leading film theorist Kaja Silverman and filmmaker Harun Farocki have made one of the most significant contributions to film studies in recent memory: a lively set of conversations about Godard and his major films, from Contempt to Passion . Combining the insights of a feminist film theorist with those of an avant-garde filmmaker, these eight dialogues–each representing a different period of Godard's film production, and together spanning his entire career–get at the very heart of his formal and theoretical innovations, teasing out, with probity and grace, the ways in which image and text inform one another throughout Godard's oeuvre. Indeed, the dialogic format here serves as the perfect means of capturing the rhythm of Godard's ongoing conversation with his own medium, in addition to shedding light on how a critic and a director of films respectively interpret his work. As it takes us through Godard's films in real time, Speaking about Godard conveys the sense that we are at the movies with Silverman and Farocki, and that we, as both student and participant, are the ultimate beneficiaries of the performance of this critique. Accessible, informative, witty, and, most of all, entertaining, the conversations assembled here form a testament to the continuing power of Godard's work to spark intense debate, and reinvigorate the study of one of the great artists of our time.



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